Gunning For Hits

HE'D KILL FOR A HIT

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Issue 5 Playlist Notes

May 08, 2019 by Jeff Rougvie

Welcome back! This issue’s playlist should be called songs about sadness, fucking up, clarity or blame. All tracks are added to the Overarching Gunning For Hits Playlist after the previous issue’s.

So please start this issue’s playlist with:

Fountains Of Wayne / Bright Future In Sales

Aside from being a near-perfect pop song, this captures the pure bullshit of work repetition / angst when you work for someone else. Like Cook. Fountains were so much more than their hits; the first few albums are amazing.

Tsar / Everybody’s Fault But Mine

Another song of beautiful rage and denial by my favorite band of the 21st Century.

Silver Sun / Cheerleading

Silver Sun; how did that never happen? Stupendous pop songs. Martin would put a bullet in someone for them.

Joan Jett / Backlash

One of those great Joan Jett shoulda-been hits. Pretty sure I saw the only live performance of this with Westerburg in Minneapolis. It was sublime. I love them both.

Hole / Celebrity Skin

Courtney is probably who Diane was at the beginning of this story. Diane has changed, Courtney still seems like she’s Courtney. I had a nice chat with her on the steps of the Standard Hotel on Sunset once. She’s cool.

Carpenters / Hurting Each Other

Martin likes all kinds of pop music. Even stuff that wouldn’t be considered cool. The Carpenters have rarely been considered cool, and I'm not sure they gave a fuck. Karen’s voice is one of the most beautiful, clear sounds in all of pop, Richard should be recognized with Brain Wilson as an arranger and they did lots of undeniable songs.

Big Drill Car / About Us

Seems like the other side of the Carpenters tune. Ouch. BDC includes guys from the Doughboys and All Systems Go, who are also worthy of your attention.

Elvis Costello / Boy With A Problem

Startlingly real. One of those moments before Costello lost it where he was pushing into new territory and it all clicked.

Jayhawks / Save It For A Rainy Day

For when you’ve burned out your schtick. The Jayhawks are nice guys, great songwriters and deserve your attention.

Manic Street Preachers / Slash N Burn

There’s an energy of self-destruction here that suits this issue. Despite attempts to romanticize it, here’s nothing cool or noble about burning out.

Sugar / The Act We Act

Relationships are complicated. From the majestic, near-flawless Copper Blue.

Cheap Trick / Busted

Like when your friends tell you you’ve fucked up - there’s only one thing to do; hear them. There’s not nearly enough Cheap Trick on this playlist.

Alejandro Escovedo / Sister Lost Soul

This speaks to me of all the lost people and the accompanying sadness. Sometimes people die, sometimes they’re still here but they’ve just gotten lost - it’s nearly impossible to save someone from themselves.

Richard Marx / Don’t Mean Nothing

Richard Marx is another artist who’s not considered cool, but he is (check out his twitter) and he wrote some classic songs. Here’s a true story of record company hubris involving Richard; he was pretty much Capitol Records best-selling act, but the newly-installed President of the label was a big alternative rock guy and felt Marx was an embarrassment. So when Richard showed up at the Tower to take a scheduled meeting, Mr President ghosted him, instead focusing on the remodel of his office bathroom (an unnecessary undertaking that cost an insane amount of money). That fallout wasn’t good for anyone.

Johnny Nash / I Can See Clearly Now

Speaking of clear, beautiful voices… Are you not moved? Bonus points for being on the Grosse Point Blank soundtrack

AC/DC / Highway To Hell

See you next issue!

May 08, 2019 /Jeff Rougvie
The Carpenters, Fountains Of Wayne, Tsar, Silver Sun, Joan Jett, Paul Westerburg, Hole, Courtney Love, Big Drill Car, Elvis Costello, Jayhawks, Manic Street Preachers, Sugar, Cheap trick, Alejandro Escovedo, Richard Marx, Johnny Nash, AC/DC
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Issue 4 Playlist Notes

April 10, 2019 by Jeff Rougvie

This time all the tracks speak to the story or the emotional states of all involved, and the songs are far less ‘87-centric. Once again, all tracks are added to the Overarching Gunning For Hits Playlist after the previous issue’s.

So please start this issue’s playlist with:

That Petrol Emotion / Big Decision

TPE were the Undertones with a new singer and a spikier, post-punk, more political direction. “You’d rather cross the ocean than make a big decision” is such a great line. While Martin does cross an ocean to get resolution, he wouldn’t have to if Cook wasn’t an obstacle. I love the fade where Steve quotes Brother D’s “How We Gonna Make The Black Nation Rise,” arguably the first overtly political hip-hop track.

The Neighborhoods / No Place Like Home

Amazing Boston punk pop band who started out kinda like early Jam / Gen X, led by the charming and handsome David Minehan. This is the b-side of their first single, which spoke volumes to me about pent-up, restless, suburban youth. It’s Billy’s mindset in a nutshell, although, no dad. NOTE: Bowie loved them and had them open for him at Foxboro Stadium (where the Patriots played) in 1987.

Veruca Salt / With David Bowie 

It’s that thing where music is always there for you but also when you’re actually hanging with the dude who made that music for you. 

AC/DC / Dirty Deeds Done Dirt Cheap

Melch approved. While maybe not dirt cheap, Martin’s hiring. I love Brian Johnson, but Bon was the man.

Dramarama / Ain’t It The Truth

One of THE unsung bands of the 80s / 90s alternative rock scene, they were glammy, rocky, poppy. They only ever got serious attention in France, New Jersey and LA. They had a MASSIVE Los Angeles-only hit in “Anything Anything” which was, and probably still is, the most-requested song on KROQ. It IS the truth, but Martin’s not hearing it.

P!nk / Trouble

I’m the guy that loves her difficult third album, made with help of Tim from Rancid. It really shows on this track, which has sort of been lost in her history but it conveys all the desperation of mounting doom with the swagger that makes you believe you just might sidestep it like a matador.

Silver Ginger 5 / Girls Are Better Than Boys

Well, they are. Smarter, tougher, faster; I’m convinced women will save this planet despite us men. From the brilliant mind of songwriting genius Ginger Wildheart, one of earth’s last great rockers.

Elvis Costello / Radio Radio

Martin visits L.A. No doubt there were radio stations with integrity in 1987, but they were few and far between. Now most stations are owned by a handful of companies, so I’d guess that number’s gone down. This Elvis classic, famously played unscheduled on Saturday Night Live, makes his feelings quite clear.

Huey Lewis & The News / Hip To Be Square 

Are we / am I cool or not? was a top concern in the 80s when things were moving pretty fast, Ferris Bueller. Huey’s first band, Clover, famously back Costello on his spiky debut on My Aim Is True. H&TN were ubiquitous in the 80s, and while their everyguy yuppie light rock wore out its welcome pretty fast, this lyric showed Huey had a sense of humor about his place in the world. Also in his defense, Huey played harmonica on Thin Lizzy’s classic Alive & Dangerous, is super smart, a really nice guy (all the News are!), AND he let this get licensed for American Psycho (very cool move, all things considered).

Buzzcocks / Ever Fallen In Love (With Someone You Shouldn’t’ve?) 

Talking about Martin here and his obsession with Slade, but there are other characters about to have relationship issues. Rock on, Pete Shelley!

Beyonce / Run The World (Girls)

Maybe I’m blanking but it feels like the latter half of the 80s had a shortage of female empowerment in music. Yes, Madonna, but on re-evaluation, also, no, Madonna. As much as I love Joan Jett, it’s not her greatest period. Third-wave feminism and the Riot Grrrl movement corrected that course, but I went for a more recent and clear statement.

Clash / Guns On The Roof

The lyrics are so perfect for the attempt on Slade’s life (or is it?) and the various locations mentioned have meaning to both Martin & Lucius. And Joe Strummer is a key figure in the origins of this book in general.

Graham Parker / Protection

It’s important to have a good bodyguard. Despite willingly appearing as something of a punchline in the “should’ve been better, but still oddly compelling” Paul Rudd / Leslie Mann co-starrer This Is 40, Graham Parker has been making great records since he rose out of the pub rock scene of the mid-70s.  This is one, but also you should acquaint yourself with Squeezing Out Sparks ASAP if you’re not already familiar, particularly the version with all the songs played live. His cover of the J5’s ABC is brilliant too.

Eric B. & Rakim / Paid In Full 

In addition to being a brilliant early hip-hop classic, lyrically this speaks to a lot of what’s going on when Martin and Lucius make their new arrangement.

Public Enemy / Bring The Noise

Couldn’t resist adding another PE favorite, addressing Billy & Slade cranking out what apparently would make Metal Machine Music sound like the Carpenters.

David Bowie / Breaking Glass

“You’re such a wonderful person but you got problems.”

Love you!

April 10, 2019 /Jeff Rougvie
David Bowie, Veruca Salt, That Petrol Emotion, AC/DC, Dramarama, P!nk, Ginger Wildheart, Elvis Costello, Huey Lewis, Neighborhoods, Buzzcocks, Beyonce, The Clash, Graham Parker, Eric B. & Rakim, Public Enemy, Gunning For Hits, Comic Soundtrack

Copyright 2025 Jeff Rougvie